Tag Archives: Deep

The Flea’s First Fan Art!

Yesterday, I was incredibly excited to discover that the awesome Ms. Blake Woodruff of imoutoart.wordpress.com (I’ll call her Ms. Woodruff as to not get confused with Mr. Blake!) posted a fan art of my graphic novel The Poet and the Flea. As far as I know, this is the first ever fan art of The Flea and feels like a huge milestone in The Flea‘s progress!!

I asked Ms. Woodruff for permission to repost her illustration here on my blog (see below) and hope that all my readers/followers will take a look at the impressive work on her blog and website!

I especially admire the deep colors/tones she used for this piece and get a total kick out of The Flea lurking in the background!

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Next, I plan on creating a fan art page on thepoetandtheflea.wordpress.com and will post Ms. Woodruff’s piece there as well.

I wholeheartedly welcome all The Poet and the Flea fan art and would be more than delighted to showcase your work on my blog!

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Copyright 2013 by G. E. Gallas


Note on “The Nutcracker”

Disclaimer: I do not own any of the following images or video!!

One of my favorite operas is Jacques Offenbach‘s The Tales of Hoffmann (Les contes d’Hoffmann). This opera is a fantastical retelling of the life of the German Romantic author E. T. A. Hoffmann,  casting Hoffmann as the protagonist of his own stories.

Placido Domingo performing the “Chanson de Kleinzach” aria.

Désirée Rancatore performing “Les oiseaux dans la charmille.”

Through The Tales of Hoffmann, I developed an interest in Hoffmann and his stories, quickly leading me to Sigmund Freud’s The Uncanny. In Freud’s essay, he uses many of the same Hoffmann stories as Offenbach, but in this case to prove a psychological point (not that Offenbach’s opera isn’t deeply psychological). If I remember correctly, Freud even mentions Offenbach’s opera.

Portrait of E. T. A. Hoffmann

I’m sure you are all wondering, “What does all this have to do with The Nutcracker?” Well, little do most people know, E. T. A. Hoffmann wrote in 1816 one of the earliest versions of The Nutcracker story, entitled The Nutcracker and the Mouse King (Nussknacker und Mausekönig).

Alexandre Dumas was also a fan of Hoffmann, employing allusions to Hoffmann’s stories in The Count of Monte Cristo. Dumas even went as far as creating a revision to Hoffmann’s Nutcracker in 1844 called History of The Nutcracker (Histoire d’un casse-noisette), or The Tale of the Nutcracker.

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Towards the end of the 19th Century, Hoffmann’s Nutcracker was adapted to ballet by Pyotr Ilyich Tchaikovsky, perhaps the most famous incarnation of the tale. I write this post because my dad purchased tickets to the San Francisco Ballet to see The Nutcracker at the end of the month. Perhaps later I’ll add my thoughts on the production to this post.

Tchaikovsky’s music is always wonderful, if not a little too overplayed for the holidays. A lot of people tend to associate The March from The Nutcracker or The Dance of the Sugar Plum Fairy not with Tchaikovsky, but with the thousands of Christmas commercials that use these pieces. This also happens with The Chinese Tea Dance from The Nutcracker with Disney’s Fantasia and The Sleeping Beauty Waltz with Disney’s Sleeping Beauty.

I believe the most creative and exciting production of Tchaikovsky’s Nutcracker is Mark Morris’s The Hard Nut. The Hard Nut is set in 1950s America with a very retro feel inspired by the comic artist Charles Burns — a strange but brilliant compliment to the classical music. I hope to one day be able to attend a live performance.

Advertisement for The Hard Nut.

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For more updates, don’t forget to follow me on tumblr and/or twitter.

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Copyright 2012 by G. E. Gallas


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