Note: This post is really just for me to try to jot down and organize all the information/recommendations/advice I’ve received about London so far. AND MORE ADVICE IS MORE THAN WELCOMED!
***
Here, I’ve narrowed down the Blake historical sites to only the ones I want to see most:
St. James’s Church: (10) Where Blake was baptized. The font still survives.
Westminster Abbey: (10) Where Blake practiced drawing. Monument to Blake in the Abbey’s Poet’s Corner.Will probably end up here on a bus tour!
Royal Academy, New Somerset House: (9) Where Blake studied and occasionally exhibited his work. Original building.
13 Hercules Buildings: (7) Where Blake produced the Songs of Experience. House demolished in 1918.
17 South Moulton Street: (10) Will be here on Tuesday!
St. Mary’s, Battersea: (10) Where Blake married Kate. Original building.
Okay, this might be really silly/crazy/touristy, but a tour in a vintage bus plus tea time? That just sounds so ridiculous (in a good way, I think)!
Won’t have time for this on Monday or Tuesday, so will have to do either Wednesday or Thursday.
Location: Starts at Harrods, 87-135 Brompton Road, Knightsbridge.
Time: Starts at 1 p.m, for 5 hours.
Price: £49
Includes: Buckingham Palace, Big Ben, The London Eye, Westminster Abbey, Downing Street, Trafalgar Square, Nelson’s Column, Hyde Park, the Houses of Parliament, The Royal Albert Hall, a cruise on the River Thames, and tea/scones at Harrods.
***
Jack the Ripper Tour
Might have time for this on Monday, or otherwise on Wednesday.
Option #1: Every night at 7 p.m. Outside exit 4 of Aldgate East Station. £9. 2 hours.
Option #2: Every night at 7 p.m. Outside exit 4 of Aldgate East Station. £9. 2 hours.
Option #3: Every night at 7:30 p.m. Outside exit 3 of Aldgate East Station. £9. 1 hour, 45 minutes.
Tentatively, I think I might go to the Tate and V&A on Tuesday, the bus tour and possibly Jack the Ripper on Wednesday, and then the British Museum and Blake historic sites on Thursday.
Location: Millbank.
Time: Open daily 10 a.m. to 6 p.m.
Price: Free (except for special exhibitions).
Taking photos not allowed.
Need to find out more about the renovated Blake rooms!
Need to figure out what else I’d like to see at the Tate!
“Fresh leaf tea in a pot and bone china, scones with clotted cream and jam, finger sandwiches and tasty cakes… could anything be more British than afternoon tea in London.”
Location: 41 Great Russell Street (opposite the British Museum).
At the beginning of March, the chair of the Blake Society Tim Heath confirmed my invitation to speak to the society as well as asked that I put together a title, description, and bio for this year’s programme of events.
To give me a better idea of what to write, Tim offered to send me a copy of last year’s brochure. And, late last week, this beautiful printed booklet arrived (see photos below)!
I can’t wait to see how this year’s programme will turn out!
P.S. I only just realized that Philip Pullman is the president of the Blake Society. What!? I mean, it makes complete and total sense, but I’m still trying to wrap my brain around that fact.
As you may know, for the past couple months, I’ve been busy planning for my trip to Cannes and London. I’ll only have 3 full days in London, so I’m trying to figure out the best schedule that will allow me to fit everything in. For my British followers/readers, any advice would be incredibly appreciated.
Monday
Arrive: Hello London!!!
Take public transportation from Heathrow to hotel; check into hotel and get situated.
Since I’ll be exhausted from the film festival (and if I don’t get in too late), I think I might take a bus tour of London. That way, I can relax and cover all the basics in a short amount of time and hopefully won’t feel like I’ve missed out on anything. If I don’t have time to do a bus tour Monday, then I’ll do one Tuesday morning/afternoon and maybe do a Jack the Ripper tour instead.
Tuesday: Special Event Day!
I’m not exactly sure how I’ll spend a good chunk of this day yet. Like I said, I might take a bus tour of London. Or perhaps check out the London Eye, Covent Garden, Sherlock Holmes Museum, Royal Botanic Gardens, etc. on my own. I have to look into the different types of bus tours and schedules!
Leave some time to relax and possibly nap in the late afternoon.
★Tate: I recently contacted the Tate about their William Blake collection and was absolutely delighted to hear that the renovated Blake rooms are scheduled to open May 14th and will very likely include The Ghost of a Flea — talk about perfect timing!
British Museum: I would like to visit the British Museum’s Print Room (Department of Prints and Drawings), where one can access Blake works without an appointment. According to the Chair of the Blake Society, Tim Heath: “…you are able to hold in your own hands some of Blake’s original (and now priceless) illuminated books. It is one of the secrets of the city.”
Victoria & Albert Museum: According to Naomi, the V&A has “…four of Blake’s ‘fresco’ paintings on display permanently, as well as a good collection of watercolours which you can see in their Print Room (no appointment needed).” Would also love to see upcoming exhibit called David Bowie is (March – July)!!
I need to figure out the easiest way to walk and which sites I would most like to see (on a scale of 1 to 10, with 10 meaning “I absolutely must see this!”).
28 Broad Street: (7) Where Blake was born. Original building no longer survives. Tate: “Old houses that survive… give a good idea of what Blake’s house looked like.”
St. James’s Church: (10) Recommended by Tim. Where Blake was baptized. The font still survives.
Mr. Pars’ Drawing School in the Strand: (5) Where Blake was sent to study at age 10. Demolished in Regency times.
31 Queen Street, Lincoln’s Inn: (8) Where Blake at age 14 became apprentice to an engraver. Original building demolished in late 19th century. Tate: “…but the next-door houses (of brick rather than stone) give an idea of its original appearance).
Westminster Abbey: (10) Where Blake as an apprentice practiced drawing ancient tombs (such as King Edward I) and monuments. Monument to William Blake in the Abbey’s Poet’s Corner.
Royal Society of Arts: (5) Where Blake admired James Barry’s murals The Progress of Human Knowledge and Culture. Original building.
Royal Academy, New Somerset House: (9) Where Blake studied and exhibited his work on several occasions. Also important location for the Pre-Raphaelite Brotherhood, if I’m not mistaken. Original building.
Green Street, Leicester Square: (5) Where Blake moved after his marriage. Original building no longer exists.
28 Poland Street: (6) Where Blake moved after dissolving his partnership with James Parker. House rebuilt in the late 19th century.
13 Hercules Buildings: (7) Where Blake lived during his most productive years and produced the Songs of Experience. House demolished in 1918.
17 South Moulton Street: (10) Where Blake “…suffer[ed] his bitterest disappointments. Fame and financial success continued to elude him, and he sank into poverty and paranoia.” Will be here on Tuesday!
Fountain Court, Strand: (7) Where Blake lived until his death and produced his illustration to Dante’s Divine Comedy. Original building no longer exists.
St. Mary’s, Battersea: (10) Recommended by Tim. Where Blake married Kate. Original building.
Bunhill Fields: (9) Recommended by Tim. Where Blake is buried (in an unmarked grave). Tate: “A small monument now stands at the approximate site where Blake was buried.”
Paolozzi Newton: (6) Where a statue based on Blake’s Newton stands.
Friday
Depart: Back to San Francisco!
Now that I’ve laid everything out, the next step is to narrow everything down into a manageable plan!
***
For more updates, don’t forget to follow me on tumblr and/or twitter.
Prepared for tomorrow — the first day of my new internship!!!
Wednesday, January 30th
Zest Books Internship, Day #1: Wonderful first day! Having an easy time getting into the flow of everything. Staff is extremely friendly and excited to get to know them better. Get awesome sneak peaks of upcoming titles. Friday, will be working on Tumblr and possibly doing some image research — can’t wait!
Thursday, January 31st
Not ready to announce anything yet, but amazing news (from January 20th) continuing to develop!
Received e-mail from follower Hannah Meiklejohn (bellusmundus.wordpress.com) asking if she could write an article for a magazine about The Poet and the Flea, yay! Excited to learn more details about the article and magazine. (^-^)
Zest Books Internship, Day #2: Worked on historical-themed image research for most of the day, which was mostly a lot of fun! Started working on Zest’s Tumblr (zestbooks.tumblr.com). Ate lunch in nearby park, which is very pleasant and relaxing and will definitely be repeated.
Saturday, February 2nd
Happy Groundhog Day!!
Filled out the rest of Cannes paperwork and made a checklist for what to bring (I’m Going To Cannes!!!).
Went to see Warm Bodies with Wes! Not the most brilliant movie, but adorable and a lot of fun. (︶ω︶)
For those of you watching the new Netflix series House of Cards, I highly recommend watching the original BBC version starring the brilliant Ian Richardson also available on Netflix.
Ran into a neighbor on the bus to work today, and she’d like to hire me to help her with her WordPress. We’ll see what happens… (^-^)
Zest Books Internship, Day #3: Worked on creating prom tips for Zest’s Tumblr as well as a mailing project. Getting to know everyone in the office better — everyone’s super easy to talk to. Took home a copy of Zoo Station to read.
Wow, I adore this new FX show The Americans! Amazing character development and really scary/exciting. Can’t wait for the next episode.
Zest Books Internship, Day #4: Continuing work on Tumblr! Sat at Ann’s desk today — she happens to have a David Bowie paper doll (with multiple outfits) taped to her computer, which brings me endless joy. Got to know fellow intern Olivia a bit better. Extremely excited to proofread/edit the back cover blurb for an upcoming book. Also got to share my opinion on some cover art!
Today’s constant companion: David Bowie!
Saturday, February 9th
Went to see Lewis Black with Wes and the folks! Stomach hurts from laughing so much!
Sunday, February 10th
Finally got to talk with my good friend from high school Tina! Talked on the phone for over 2 hours! (^-^;;)
Worked on TOP SECRET project.
Monday, February 11th
Went downtown today to pick up some more supplies from Britex for The Flea plush toy.
Did a little shopping in preparation for Cannes. A lot more shopping to do in the next few months.
Finished writing responses to Hannah’s questions. Just have to edit a bit and then send them to her.
Worked on TOP SECRET project.
Wednesday, February 13th
Zest Books Internship, Day #5: More historical-themed image research and Tumblr. Asked to do some brainstorming for book ideas. Ended up walking all the way home today since the bus skipped a lot.
A few days ago, e-mailed the Tate Gallery about information on their William Blake collection. Today, received response with good news. Will talk about this more in upcoming post.
Received e-mail from Hannah! She sent a draft of the article, and it looks really wonderful so far. Just have to answer a couple follow-up questions. \(^-^)/
Zest Books Internship, Day #6: More historical-themed image research and Tumblr. Also, talked about a potential book idea I came up with, and some of the staff seems interested! Next week, will be attending the Teen Advisory Board on Wednesday and a staff meeting on Thursday. Very excited!
Saturday, February 16th
Ordered a beautiful dress to wear at Cannes. I needed a maxi dress for pool parties, etc. and couldn’t find the right one in stores. So I browsed Etsy and found the talented Nicole Lebreux! Not only does Nicole have really fun designs, but also she was extremely helpful in answering my questions. So go ahead and check out her shop!
Went to see a simulcast of the new Met production of Verdi’s Rigoletto. The opera is usually set in the 16th century, but this production cleverly reimagines the story in 1960s Las Vegas. Wonderfully creative and engaging production with incredible singers! Preview: https://www.youtube.com/watch?v=9-zXLKd76fk.
Sunday, February 17th
Worked on some upcoming blog posts.
Date night with Wes!
Etcetera
The Poet and the Flea: 63 pages of written script (1 page of script = 4-6 illustrated pages), and about 36 pages (1-24, 27-30 completed, and 25-26, 31-36 in progress) of illustrated work.
The First Reich: about 1-10 pages of illustrated work in progress.
First Zine: about 6-8 pages of illustrated work in progress.
First and foremost, I’ve been working on goal #1, making progress on some of the finished illustrations for Elias & The Cityof Cats. I’m hoping to make a bit more progress in the coming days and then meet up with Gabe on Friday to show him my work.
In the meantime, I’ve been brainstorming on goals #6 and #7, my first self-printed zine and my online storefront!
Possible envelopes for first zine.
The other day, I decided that my first self-printed zine will be an illustrated poem.
I was doing some research on The Pre-Raphaelite Brotherhood and came across the perfect poem for my first zine! I think this poem will be unexpected and exciting while still tying in with The Poet and the Flea. The poem will remain a secret for now, but I’ll give a free copy of my zine to the first person who can correctly guess which one it is. Hint: The Seven Deadly Sins. I’ll be truly impressed if anyone gets this!
As far as production goes, I’d like to keep this zine relatively simple since it’s my first: about 6 to 8 pages, black and white with simple lines, a number of special hand-watercolored copies, all packaged in a lovely envelope. I’ll probably print about 25 or 30 copies, but I’d love to know if anyone is seriously interested in purchasing a copy so that I can figure out if I need to print more or less.
I’ve been planning my online storefront for a while now, but I’m waiting for the right time to set it up and launch it.
I’ve decided to use Storenvy, because it seems user-friendly and stylish. And it helps that it’s free.
Other than my first self-printed zine, I’d like to offer a wide range of products including The Poet and the Flea merchandise (prints/posters, t-shirts, tote bags, badges/pins, etc.). For prints, I’d like to keep them high-quality but made-to-order so that one can request any page of The Flea or whatnot.
The most ambitious product I’d like to see in my store is a The Flea plush toy. I’ve been playing around with many ideas for this, but know it has to remain relatively simple. The plush toy will definitely be handmade in black fabric, possibly with buttons for eyes and silver/gold (maybe glow-in-the-dark) fabric paint to add texture/scales. It will take me a while to get to this project (and I might recruit some help for it), but I’m excited to see how everything turns out.
Also, I’d like to offer commissioned illustrations, but I have to work out the details on that!
Again, feedback is very welcome! Just leave a comment below or send me an e-mail at gegallas@hotmail.com!
***
For more updates, don’t forget to follow me on tumblr and/or twitter.
EBABZ was a small but interesting Fest and I enjoyed walking around, checking out what other people were up to, chatting, building my zine library, and getting some advice.
Milk & Carrots is an anthology featuring a number of artists with vastly different styles of illustration and storytelling. I think this is a good start for anyone who’s just getting into the world of zines! Printed by Keness.com. For more information about Milk & Carrots, please visit www.ebbandflood.net.
This zine is a dream-like abstraction filled with science, sexuality, and emotion. Might not be everyone’s cup of tea, but anyone can see that Brendan Monroe is insanely gifted. Check out his amazing paintings, sculptures, and comics/zines on his Tumblr!
Murder Dollhouse is a completely bizarre but wonderful little zine! This volume includes The Man Who Lived In Their Attic (part 1 & part 2), the full-color and delightful short She Made Me Feel Four Inches Tall, and a number of fun extras. If you like a good pulp fiction, then this is the zine for you!
* Melancholy Rainbow: A Sitcom, “Tastes Like July” Issue One by Nina Kim
Melancholy Rainbow feels to me like a mix between Daria and The Book of Bunny Suicides – a perfect blend of sarcasm and sadism. This is an autobiographical affair and, judging by my brief interaction with the artist, a pretty accurate one at that. Read Melancholy Rainbow for yourself at www.melancholyrainbow.com.
Also, I discovered this wonderful local printer. Their products are really beautiful, high quality, and fairly priced. They gave me their very useful pricing list as well as a cute free notebook. I’m seriously considering using them down the line, whether for a small zine or possibly a bigger project.
***
After stopping by the EBABZ, Wes and I ended up at this great soba restaurant called Ippuku. The whole experience was very authentic and I’d love to go back sometime.
Then, somehow, we ended up in Haight-Ashbury. We visited some of Wes’s favorite stores like Super 7, Kidrobot, and Amoeba Music, which were all a lot of fun.We also went to The Booksmith and proceeded to drool over all the gorgeous Penguin Classics hardcovers.
So, all in all, it was a very exciting day!
***
For more updates, don’t forget to follow me on tumblr and/or twitter.
“Night Startled by the Lark” (1820) by William Blake
The other day, I got in touch with The Blake Society (www.blakesociety.org) hoping to bring their attention to The Poet and the Flea and to ask them about next year’s Blake Society Tithe Grant.
To my surprise and delight, The Blake Society had already heard of my graphic novel and had made an announcement on their December newsletter as well as their Facebook page.
I think it’s really wonderful that The Blake Society seems to keep tabs on as many Blake-related projects as possible. They have a great website with many resources, including a full biography of William Blake and links to other useful sites.
If only I were in London, I would have joined this society long ago. But San Francisco is so far away and I’m unaware of any local societies here (although according to The Blake Society, there was a William Blake society in Palo Alto around 1940 ).
***
Excerpt from The Blake Society December newsletter:
BLAKE IN THE WORLD OF GRAPHIC NOVELS
A new graphic novel is being published in installments on the web. The Poet and the Flea is written and illustrated by G. E. Gallas and a new page appears every Wednesday. Gallas is inspired by Blake as ‘the junction between Dante Alighieri and Allen Ginsberg’.
***
Excerpt from The Black Society on Facebook:
The Poet and the Flea is a new online graphic novel by G. E. Gallas which re-imagines the life of Blake. A new page is added every Wednesday; today we reach page 7, when William tells Kate about seeing a tree full of angels.
***
For more updates, don’t forget to follow me on tumblr and/or twitter.
Disclaimer: I do not own any of the following images or video!!
One of my favorite operas is Jacques Offenbach‘s The Tales of Hoffmann(Les contes d’Hoffmann). This opera is a fantastical retelling of the life of the German Romantic author E. T. A. Hoffmann, casting Hoffmann as the protagonist of his own stories.
Placido Domingo performing the “Chanson de Kleinzach” aria.
Désirée Rancatore performing ”Les oiseaux dans la charmille.”
Through The Tales of Hoffmann, I developed an interest in Hoffmann and his stories, quickly leading me to Sigmund Freud’s The Uncanny. In Freud’s essay, he uses many of the same Hoffmann stories as Offenbach, but in this case to prove a psychological point (not that Offenbach’s opera isn’t deeply psychological). If I remember correctly, Freud even mentions Offenbach’s opera.
Portrait of E. T. A. Hoffmann
I’m sure you are all wondering, “What does all this have to do with The Nutcracker?” Well, little do most people know, E. T. A. Hoffmann wrote in 1816 one of the earliest versions of The Nutcracker story, entitled The Nutcracker and the Mouse King (Nussknacker und Mausekönig).
Alexandre Dumas was also a fan of Hoffmann, employing allusions to Hoffmann’s stories in The Count of Monte Cristo. Dumas even went as far as creating a revision to Hoffmann’s Nutcracker in 1844 called History of The Nutcracker (Histoire d’un casse-noisette), or The Tale of the Nutcracker.
Towards the end of the 19th Century, Hoffmann’s Nutcracker was adapted to ballet by Pyotr Ilyich Tchaikovsky, perhaps the most famous incarnation of the tale. I write this post because my dad purchased tickets to the San Francisco Ballet to see The Nutcracker at the end of the month. Perhaps later I’ll add my thoughts on the production to this post.
Tchaikovsky’s music is always wonderful, if not a little too overplayed for the holidays. A lot of people tend to associate The March from The Nutcracker or The Dance of the Sugar Plum Fairy not with Tchaikovsky, but with the thousands of Christmas commercials that use these pieces. This also happens with The Chinese Tea Dance from The Nutcracker with Disney’s Fantasia and The Sleeping Beauty Waltz with Disney’s Sleeping Beauty.
I believe the most creative and exciting production of Tchaikovsky’s Nutcracker is Mark Morris’s The Hard Nut. The Hard Nut is set in 1950s America with a very retro feel inspired by the comic artist Charles Burns — a strange but brilliant compliment to the classical music. I hope to one day be able to attend a live performance.
Advertisement for The Hard Nut.
***
For more updates, don’t forget to follow me on tumblr and/or twitter.
Interesting Pixel-Flick Alliance Meetup today. According to Brian, the membership fee ($35) gets you a profile page on the Pixel-Flick website, an on-camera interview (2-5 minutes), among other freebees. Something to think about…
Sunday, September 16th
E-mail correspondence with potential production company about The Man Who Never Smiled. According to the Director of Photography/Assistant Director/Production Coordinator, a contract is currently being drafted!
Scheduled to meet with Gabe and his friend next Thursday (update: changed to Friday).
Thursday, September 20th
Continuing work on The Flea.
Working with Shannon on blog content for The First Reich.
Friday, September 21st
Continuing work on The Flea.
Today, received “BlueCat Screenplay Competition Analysis” for my full-length screenplay The Golden Curator. Overall very positive feedback! “What a neat and twisted little tale you have here… Even with all the craziness on the page, it never sounded like a campy comedy; instead, it was like a drawing room farce with just enough menace to make the viewer worry about the fate of our hero.”
Saturday, September 22nd
Today, very successful meeting with Shannon. I feel like we’re definitely on the same page, and that my ideas for this project are flowing and coalescing. I can’t wait to start outlining the first pages!!
Sunday, September 23rd
A bit of fun…
Monday, September 24th
Working on becoming better acquainted with the exhibitors at APE (Alternative Press Expo). There are a couple I most definitely want to check out, but I want to make sure I don’t miss anything!
GoFundMe.com doesn’t really seem to be helping me so far. I’m considering switching over to IndieGoGo.com and offering a variety of perks.
Tuesday, September 25th
Signed up with IMDbPro. Working on inquiry letters.
Etcetera
The Poet and the Flea: 47 pages of written script (1 page of script = 4-6 illustrated pages), and about 36 pages (1-24, 27-30 completed, and 25-26, 31-36 in progress) of illustrated work.
To Do:
Meeting with Gabe & his friend Friday, September 28th.
RT @GallasPhilip: @gegallas Onward to London to give your presentation to The Blake Society about your fabulous graphic novel, The Poet and… 6 hours ago
RT @GallasPhilip: @gegallas So happy you were able to make such great professional contacts/friends at Cannes and experience such exciting … 6 hours ago
RT @TaliAdina: @gegallas Awesome! I wonder if it'll come to the U.S. I want to see it because it sounds like an interesting story and I lov… 7 hours ago
So happy Soshite Chichi Ni Naru (Like Father, Like Son) won Jury Prize!! #cannes20137 hours ago
So glad I got to see Only Lovers Left Alive. I'm not 100% sure if it was intentional, but I thought it was hilarious!! #cannes20137 hours ago
First Zine and Future Shop
★Please Note: Feedback on this post would be extremely appreciated. Thanks in advance!
Only January, and I’m already beginning to tackle some of my New Year’s goals (New Year’s Resolutions, Anyone?)!!!
First and foremost, I’ve been working on goal #1, making progress on some of the finished illustrations for Elias & The City of Cats. I’m hoping to make a bit more progress in the coming days and then meet up with Gabe on Friday to show him my work.
In the meantime, I’ve been brainstorming on goals #6 and #7, my first self-printed zine and my online storefront!
Possible envelopes for first zine.
The other day, I decided that my first self-printed zine will be an illustrated poem.
I was doing some research on The Pre-Raphaelite Brotherhood and came across the perfect poem for my first zine! I think this poem will be unexpected and exciting while still tying in with The Poet and the Flea. The poem will remain a secret for now, but I’ll give a free copy of my zine to the first person who can correctly guess which one it is. Hint: The Seven Deadly Sins. I’ll be truly impressed if anyone gets this!
As far as production goes, I’d like to keep this zine relatively simple since it’s my first: about 6 to 8 pages, black and white with simple lines, a number of special hand-watercolored copies, all packaged in a lovely envelope. I’ll probably print about 25 or 30 copies, but I’d love to know if anyone is seriously interested in purchasing a copy so that I can figure out if I need to print more or less.
I’ve been planning my online storefront for a while now, but I’m waiting for the right time to set it up and launch it.
I’ve decided to use Storenvy, because it seems user-friendly and stylish. And it helps that it’s free.
Other than my first self-printed zine, I’d like to offer a wide range of products including The Poet and the Flea merchandise (prints/posters, t-shirts, tote bags, badges/pins, etc.). For prints, I’d like to keep them high-quality but made-to-order so that one can request any page of The Flea or whatnot.
The most ambitious product I’d like to see in my store is a The Flea plush toy. I’ve been playing around with many ideas for this, but know it has to remain relatively simple. The plush toy will definitely be handmade in black fabric, possibly with buttons for eyes and silver/gold (maybe glow-in-the-dark) fabric paint to add texture/scales. It will take me a while to get to this project (and I might recruit some help for it), but I’m excited to see how everything turns out.
Also, I’d like to offer commissioned illustrations, but I have to work out the details on that!
Again, feedback is very welcome! Just leave a comment below or send me an e-mail at gegallas@hotmail.com!
***
For more updates, don’t forget to follow me on tumblr and/or twitter.
***
Copyright 2013 by G. E. Gallas
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