Tag Archives: Performing

“Scared Stiff” Illustrations: Part 4

Related Posts:

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To celebrate the upcoming release of Scared Stiff: Everything You Need to Know About 50 Famous Phobias by Sara Latta (Zest Books), featuring over 50 of my illustrations, I’d like to share a behind-the-scenes look at my creative process on this title.

Here, you can take a look at the some of the final interior illustrations.

Want to see more? Take a look inside Scared Stiff on Amazon.com: www.amazon.com/Scared-Stiff-Everything-Famous-Phobias/dp/1936976498.

Scared Stiff Preview

1 heights_Scared Stiff

Acrophobia: Fear of Heights

9 plants_Scared Stiff

Botanophobia: Fear of Plants

Chiroptophobia: Fear of Bats

Chiroptophobia: Fear of Bats

11 claustro_Scared Stiff

Claustrophobia: Fear of Being Closed In

Neophobia: Fear of New Things/Experiences

Neophobia: Fear of New Things/Experiences

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Please visit my store: thepoetandtheflea.storenvy.com!

For more updates, follow me on facebooktumblr and twitter.

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Copyright 2014 by G. E. Gallas


“Scared Stiff” Illustrations: Part 3

Related Posts: “Scared Stiff” Illustrations: Part 1 and “Scared Stiff” Illustrations: Part 2.

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To celebrate the release of Scared Stiff: Everything You Need to Know About 50 Famous Phobias by Sara Latta (Zest Books), featuring over 50 of my illustrations, I’d like to share a behind-the-scenes look at my creative process on this title.

Here, you can take a look at the further development of the interior illustrations.

Over the course of this process, some of the phobias were swapped out — but this exercise was an important step to the final illustrations.

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Please visit my store: thepoetandtheflea.storenvy.com!

For more updates, follow me on facebooktumblr and twitter.

***

Copyright 2014 by G. E. Gallas


Note on “The Nutcracker”

Disclaimer: I do not own any of the following images or video!!

One of my favorite operas is Jacques Offenbach‘s The Tales of Hoffmann (Les contes d’Hoffmann). This opera is a fantastical retelling of the life of the German Romantic author E. T. A. Hoffmann,  casting Hoffmann as the protagonist of his own stories.

Placido Domingo performing the “Chanson de Kleinzach” aria.

Désirée Rancatore performing “Les oiseaux dans la charmille.”

Through The Tales of Hoffmann, I developed an interest in Hoffmann and his stories, quickly leading me to Sigmund Freud’s The Uncanny. In Freud’s essay, he uses many of the same Hoffmann stories as Offenbach, but in this case to prove a psychological point (not that Offenbach’s opera isn’t deeply psychological). If I remember correctly, Freud even mentions Offenbach’s opera.

Portrait of E. T. A. Hoffmann

I’m sure you are all wondering, “What does all this have to do with The Nutcracker?” Well, little do most people know, E. T. A. Hoffmann wrote in 1816 one of the earliest versions of The Nutcracker story, entitled The Nutcracker and the Mouse King (Nussknacker und Mausekönig).

Alexandre Dumas was also a fan of Hoffmann, employing allusions to Hoffmann’s stories in The Count of Monte Cristo. Dumas even went as far as creating a revision to Hoffmann’s Nutcracker in 1844 called History of The Nutcracker (Histoire d’un casse-noisette), or The Tale of the Nutcracker.

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Towards the end of the 19th Century, Hoffmann’s Nutcracker was adapted to ballet by Pyotr Ilyich Tchaikovsky, perhaps the most famous incarnation of the tale. I write this post because my dad purchased tickets to the San Francisco Ballet to see The Nutcracker at the end of the month. Perhaps later I’ll add my thoughts on the production to this post.

Tchaikovsky’s music is always wonderful, if not a little too overplayed for the holidays. A lot of people tend to associate The March from The Nutcracker or The Dance of the Sugar Plum Fairy not with Tchaikovsky, but with the thousands of Christmas commercials that use these pieces. This also happens with The Chinese Tea Dance from The Nutcracker with Disney’s Fantasia and The Sleeping Beauty Waltz with Disney’s Sleeping Beauty.

I believe the most creative and exciting production of Tchaikovsky’s Nutcracker is Mark Morris’s The Hard Nut. The Hard Nut is set in 1950s America with a very retro feel inspired by the comic artist Charles Burns — a strange but brilliant compliment to the classical music. I hope to one day be able to attend a live performance.

Advertisement for The Hard Nut.

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Copyright 2012 by G. E. Gallas


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