Tag Archives: Protagonist

Grand Opening: The Poet and the Flea Market!

★★★ thepoetandtheflea.storenvy.com ★★★

★★★ thepoetandtheflea.storenvy.com ★★★

★★★ thepoetandtheflea.storenvy.com ★★★

★★★ thepoetandtheflea.storenvy.com ★★★

★★★ thepoetandtheflea.storenvy.com ★★★

ALL PROCEEDS GO TO SUPPORT THE PRODUCTION OF GRAPHIC NOVEL THE POET AND THE FLEA.

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The Poet and the Flea Zine

SAM_0437

SAM_0440

Professionally printed zine featuring the first 10 pages of graphic novel The Poet and the Flea by G. E. Gallas.

Manga-sized (8.25″x10.75″), saddle-stiched with 80-pound glossy paper cover and 60-pound high bright paper interior.

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★ ”Smithereens” Zine ★

Smithereens 1

“Smithereens: Mammon’s Ring-Posy,” poem by Dante Gabriel Rossetti (1828 – 1882) and illustrated by G. E. Gallas.

Printed and assembled by G. E. Gallas. Illustrations printed on 65-pound, nautral-color paper packaged in a lilac envelope with handwritten inscription.

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★ “The Ink Drinker” Zine 

The Ink Drinker Zine 1

“The Ink Drinker,” a short story by G. E. Gallas.

The dystopian story of a young girl who learns the truth about an outcast of society.

Printed and assembled by G. E. Gallas. Cover printed on 65-pound, nautral-color paper. Interior printed on 24-pound, white paper.

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★ The Flea Plush Toy 

The Flea Plush Toy New7

The sinister antagonist of The Poet and the Flea by G. E. Gallas.

Based on William Blake’s “The Ghost of a Flea.”

Body and limbs made of khaki green crew socks (80% cotton, 20% nylon). Horns, ears and claws made of buttonhole stitched green felt.

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★ The Poet Oval Button 

Button 2

Button featuring protagonist William Blake from graphic novel The Poet and the Flea by G. E. Gallas.

High quality, USA made, 1.75″x2.75″ oval button.

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★ The Poet and the Flea Page 4 Print 

Page 4

Art print of page 4 from graphic novel The Poet and the Flea by G. E. Gallas.

Printed on 80-pound cover gloss cardstock.

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★ The Poet and the Flea Page 20 Print 

Page 20

Art print of page 20 from graphic novel The Poet and the Flea by G. E. Gallas.

Printed on 80-pound cover gloss cardstock.

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★ The Poet and the Flea Page 22 Print 

Page 22

Art print of page 22 from graphic novel The Poet and the Flea by G. E. Gallas.

Printed on 80-pound cover gloss cardstock.

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★★★ thepoetandtheflea.storenvy.com ★★★

★★★ thepoetandtheflea.storenvy.com ★★★

★★★ thepoetandtheflea.storenvy.com ★★★

★★★ thepoetandtheflea.storenvy.com ★★★

★★★ thepoetandtheflea.storenvy.com ★★★

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For more updates, don’t forget to follow me on facebooktumblr and/or twitter.

***

Copyright 2013 by G. E. Gallas


Plans for SF Zine Fest 2013

SFZF 2013 Poster

For those of you in the San Francisco Bay Area, please come support me at this year’s San Francisco Zine Fest in Golden Gate Park!

What? San Francisco Zine Fest, The Bay Area’s Premiere Zine Festival

When? August 31st & September 1st, 2013 — 11 a.m. to 5 p.m.

Where? San Francisco County Fair Building, 1199 9th Ave and Lincoln Way (in Golden Gate Park)

Free Admission!

★ Come visit me (G. E. Gallas) at table #131A!!! ★

SF Zine Fest Map

Click map to enlarge.

What I’ll be selling:

Read all about these products here!

I hope to see you there!

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For more updates, don’t forget to follow me on facebooktumblr and/or twitter.

***

Copyright 2013 by G. E. Gallas


Coming Soon: The Poet and the Flea Market!

ALL PROCEEDS GO TO SUPPORT THE PRODUCTION OF GRAPHIC NOVEL THE POET AND THE FLEA.

Screen shot 2013-08-03 at 4.45.20 PM

*********************

The Poet and the Flea Zine

1. Cover

Professionally printed zine featuring the first 10 pages of graphic novel The Poet and the Flea by G. E. Gallas.

Manga-sized (8.25″x10.75″), saddle-stiched with 80-pound glossy paper cover and 60-pound high bright paper interior.

*********************

★ “Smithereens” Zine ★

Smithereens 2

“Smithereens: Mammon’s Ring-Posy,” poem by Dante Gabriel Rossetti (1828 – 1882) and illustrated by G. E. Gallas.

Printed and assembled by G. E. Gallas. Illustrations printed on 65-pound, nautral-color paper packaged in a lilac envelope with handwritten inscription.

*********************

★ “The Ink Drinker” Zine 

The Ink Drinker Zine 1

“The Ink Drinker,” a short story by G. E. Gallas.

The dystopian story of a young girl who learns the truth about an outcast of society.

Printed and assembled by G. E. Gallas. Cover printed on 65-pound, nautral-color paper. Interior printed on 24-pound, white paper.

*********************

★ The Flea Plush Toy 

The Flea Plush Toy New2

The sinister antagonist of The Poet and the Flea by G. E. Gallas.

Based on William Blake’s “The Ghost of a Flea.”

Body and limbs made of khaki green crew socks (80% cotton, 20% nylon). Horns, ears and claws made of buttonhole stitched green felt.

*********************

★ The Poet Oval Button 

Button 1

Button featuring protagonist William Blake from graphic novel The Poet and the Flea by G. E. Gallas.

High quality, USA made, 1.75″x2.75″ oval button.

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★ The Poet and the Flea Page 4 Print 

Page 4

Art print of page 4 from graphic novel The Poet and the Flea by G. E. Gallas.

Printed on 80-pound cover gloss cardstock.

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The Poet and the Flea Page 20 Print 

Page 20

Art print of page 20 from graphic novel The Poet and the Flea by G. E. Gallas.

Printed on 80-pound cover gloss cardstock.

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★ The Poet and the Flea Page 22 Print 

Page 22

Art print of page 22 from graphic novel The Poet and the Flea by G. E. Gallas.

Printed on 80-pound cover gloss cardstock.

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For more updates, don’t forget to follow me on facebooktumblr and/or twitter.

***

Copyright 2013 by G. E. Gallas


Announcement: “The Man Who Never Smiled”

Poster 1

Title: The Man Who Never Smiled

Director: Josh Mihal

Screenwriter: G. E. Gallas

Cast: TBA

Filming Location: Sacramento, California.

Length of Script: 15-16 pages.

Genre: Film Noir, Drama.

Logline/Summary: A contemporary film noir about the tragic fate of a father and his daughter. Mr. Charles P. Cable finds himself unwittingly mixed up in a case of identity theft that provokes serious repercussions.

Reception: “…a compelling structure for a short. It heightens the stakes knowing that the protagonist is going to end up in a life-threatening and bloody situation. It also makes the story compact and easy to digest — a great attribute in a short.” –Feedback from the 2014 BlueCat Screenplay Competition

Status: Currently in pre-production!

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Message from director Josh Mihal:

Short film seeking CREW for shoot at the end of JULY. We need everything from sound to camera.

NON-PAID; food, credit, and IMDB credit provided. Completed film to be entered into festivals and contests.

Also seeking LOCATIONS in Sacramento, CA. 1) An office, large size, with cubicles or desks; also an open room with a desk. 2) A rundown house where we can shoot both inside and out.

Thank you! Let me know if you have any questions. And please share this post.

(If interested, please e-mail me at gegallas@hotmail.com, subject “The Man Who Never Smiled,” and I’ll put you in touch with Josh!)

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Message from screenwriter G. E. Gallas:

The Man Who Never Smiled began as the seed of an idea, based on an individual who was hired by my family to appraise the impressive art collection my grandfather and subsequently grandmother left behind. I never noticed that this man never smiled until my mom inadvertently said something that made him laugh and we were all shocked by the result.

Originally, the short screenplay was commissioned by a production company in the UK. But ultimately they were unable to film it. So I just put the project aside in my pile of yet-to-be-produced scripts. That was until earlier this year when, out of the blue, I received a message via Stage32 from Sacramento-based director Josh Mihal expressing his interest in my scripts and in particular The Man Who Never Smiled.

We began discussing the project over Skype. I created detailed notes for Josh and he set about recruiting the cast and crew. Soon, Josh will send me a shot list and I will get to work on a simple storyboard. Also, I will be working as script consultant on set. We are planning to film this July 27th and 28th.

It should be noted that we are doing this on a shoestring budget, which is simultaneously nerve-racking and  compelling. Not only am I absolutely excited to finally see one of my scripts come to fruition, but I am also eager to send the finished project to various festivals and competitions.

Wish us luck!!

–G. E.

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For more updates, don’t forget to follow me on facebooktumblr and/or twitter.

***

Copyright 2013 by G. E. Gallas


Comics I Admire: “A Space Boy Dream”

A while ago, I stumbled across A Space Boy Dream, a wonderfully clever and charming webcomic by Moira Zahra and Mark Scicluna.

Somehow, my first experience of  A Space Boy Dream was somewhere in the middle of the comic and out of order. But I immediately perceived Moira and Mark’s refreshingly satirical portrayal of hipsters, struggling artists, and the average young person. Not only can I relate to the plight of the angsty and self-concious protagonist Vincent, but I also marvel in the amazingly expressive character designs and unique design aesthetic of this comic.

I didn’t realize until later that the artists live in and portray the Mediterranean island of Malta!! This fact went completely over my head because A Space Boy Dream‘s hipsters are identical to the ones I’ve encountered in Manhattan, San Francisco, and across the U.S. in general. I guess some components of society and subculture are far more universal than I originally imagined.

The following images belong to Moira Zahra and Mark Scicluna.

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comic18

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For more A Space Boy Dream, please check out the following websites…

aspaceboydream.com

aspaceboydreamcomic.wordpress.com

www.facebook.com/aspaceboydream

www.facebook.com/aspaceboydreamcomic?fref=ts

moirazahra.prosite.com

www.behance.net/markscicluna

Interview with Moira Zahra and Mark Scicluna: www.maltainsideout.com/22565/comic-strip-artists-life-space-boy-dream-character-vincent

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For more updates, don’t forget to follow me on facebooktumblr and/or twitter.

***

Copyright 2013 by G. E. Gallas


Check Out “The Poet and the Flea”!!!

---Silhouettes

Yesterday, I posted the 20th page of The Poet and the Flea… What!? Wow!!

The Flea premiered online November 28th, 2012 and has already received more than 10,000 views.

I have been honored to received a number of wonderful reviews thus far, such as those by Sarah Goode and Hannah Meiklejohn, as well as an incredible invitation to speak to The Blake Society in London this coming May.

Self-publishing The Flea online has been an incredible experience so far and I thank everyone for their enthusiasm and support!

Best wishes,

G. E.

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FYI, to receive information about The Flea on your Facebook news feed, please “like” me at facebook.com/gegallas!

For those of you who have yet to check out The Flea (and for those who wish to read the first 20 pages over again), I’ve included links below. Enjoy!

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Start from the beginning!

Cover

Title Page

Note

Page 1

Page 2

Page 3

Page 4

Page 5

Page 6

Page 7

Page 8

Page 9

Page 10

For more updates, don’t forget to follow me on facebooktumblr and/or twitter.

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Copyright 2013 by G. E. Gallas


Comics I Admire: “Quarterly Stories”

Today, I am pleased to present Joshua Kemble and his new online graphic novel Two Stories.

I stumbled across the website Quarterly Stories whilst on my search for autobiographical/non-fiction webcomics. I’m not sure how I came across this amazing work, but I sure am glad I did.

Two Stories is an autobiographical graphic novel that deals with themes of “…life, love, loss, and depression.” As far as I can tell, the novel will consist of a series of short stories that are all autobiographical, but will be presented in various styles, tones, and genres (“serious to silly”).

Not only are Josh’s illustrations absolutely stunning, full of texture and movement, but his storytelling is powerful and compelling. For this first chapter, it is not just a story of attempted suicide, but more astonishingly a step-by-step examination of the protagonist/author’s thought process — a complex mind that makes connections (from Shakespeare to It’s A Wonderful Life and back to reality) and plays tricks on itself (“The Suicide Game” on page 4).

Josh is a Xeric Award-winning cartoonist who works as a freelance illustrator as well as an adjunct professor at Laguna College of Art and Design. With such an impressive background and body of work, I’m expecting Two Stories to be quickly snatched up by publishers. :)

The following images belong to Joshua Kemble.

QS Cover

QS Page 4

QS Page 7

For more Quarterly Stories and Joshua Kemble, please check out the following websites…

quarterlystories.com

joshuakemble.com

www.facebook.com/pages/Joshua-Kemble-Illustrations/130292550362837

Store: joshuakemble.com/?page_id=241

Numbwww.amazon.com/Numb-Lost-Love-Broken-Memories/dp/B002O746WA

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***

Copyright 2013 by G. E. Gallas


Note on “The Nutcracker”

Disclaimer: I do not own any of the following images or video!!

One of my favorite operas is Jacques Offenbach‘s The Tales of Hoffmann (Les contes d’Hoffmann). This opera is a fantastical retelling of the life of the German Romantic author E. T. A. Hoffmann,  casting Hoffmann as the protagonist of his own stories.

Placido Domingo performing the “Chanson de Kleinzach” aria.

Désirée Rancatore performing “Les oiseaux dans la charmille.”

Through The Tales of Hoffmann, I developed an interest in Hoffmann and his stories, quickly leading me to Sigmund Freud’s The Uncanny. In Freud’s essay, he uses many of the same Hoffmann stories as Offenbach, but in this case to prove a psychological point (not that Offenbach’s opera isn’t deeply psychological). If I remember correctly, Freud even mentions Offenbach’s opera.

Portrait of E. T. A. Hoffmann

I’m sure you are all wondering, “What does all this have to do with The Nutcracker?” Well, little do most people know, E. T. A. Hoffmann wrote in 1816 one of the earliest versions of The Nutcracker story, entitled The Nutcracker and the Mouse King (Nussknacker und Mausekönig).

Alexandre Dumas was also a fan of Hoffmann, employing allusions to Hoffmann’s stories in The Count of Monte Cristo. Dumas even went as far as creating a revision to Hoffmann’s Nutcracker in 1844 called History of The Nutcracker (Histoire d’un casse-noisette), or The Tale of the Nutcracker.

9780143104834

Towards the end of the 19th Century, Hoffmann’s Nutcracker was adapted to ballet by Pyotr Ilyich Tchaikovsky, perhaps the most famous incarnation of the tale. I write this post because my dad purchased tickets to the San Francisco Ballet to see The Nutcracker at the end of the month. Perhaps later I’ll add my thoughts on the production to this post.

Tchaikovsky’s music is always wonderful, if not a little too overplayed for the holidays. A lot of people tend to associate The March from The Nutcracker or The Dance of the Sugar Plum Fairy not with Tchaikovsky, but with the thousands of Christmas commercials that use these pieces. This also happens with The Chinese Tea Dance from The Nutcracker with Disney’s Fantasia and The Sleeping Beauty Waltz with Disney’s Sleeping Beauty.

I believe the most creative and exciting production of Tchaikovsky’s Nutcracker is Mark Morris’s The Hard Nut. The Hard Nut is set in 1950s America with a very retro feel inspired by the comic artist Charles Burns — a strange but brilliant compliment to the classical music. I hope to one day be able to attend a live performance.

Advertisement for The Hard Nut.

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Copyright 2012 by G. E. Gallas


Much Ado About Bubbie: Bubbie’s Mad About Hamm

This is an idea I had a while back for a comedic blog about my Bubbie and her antics. If you all enjoy this, perhaps I’ll write a few more, such as how Bubbie voted entirely Democratic except for Mitt Romney because she thinks he’s handsome or how Bubbie now has a crush on Jake Gyllenhaal because he’s a “nice Jewish boy.”

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Much Ado About Bubbie

Bubbie (noun): A term of endearment for a Jewish Grandmother.

Example: My Bubbie doesn’t keep kosher outside of the house.

My sister Sydney, Bubbie, and me.

Bubbie’s Mad About Hamm

My Bubbie Isabelle has a crush on Jon Hamm.

Just like the rest of the family, Bubbie tunes into Mad Men every Sunday night to watch the admen of 1960s Madison Avenue drink, smoke, whore, and gossip – not to mention dish out sexist, racist, homophobic, xenophobic, and anti-Semitic dialogue by the second, all of which (with the exception of the anti-Semitic variety) go unprotested by my Bubbie, a true product of the time.

To me, the series is a literary masterpiece on film regardless of how small the screen. To Bubbie, it’s just another one of her “weekly stories,” on par with General Hospital and The Young and the Restless.

Jon Hamm plays the brooding protagonist slash advertising genius, Donald Draper, on the show. Ever since reading in The Kansas City Star that the handsome actor is a St. Louis native, Bubbie – who’s lived in Missouri for over seventy years – has harbored a vicarious pride for Mr. Hamm. Much to my family’s embarrassment, this is not Bubbie’s first crush on a man that is at least a decade younger than my dad.

One time on vacation, while my family was checking into the Waldorf Astoria for a night, Bubbie was mesmerized by the dazzling charm and good looks of an Israeli desk clerk.

What a five-foot tall, eighty-something-year-old – complete with her teased-and-set helmet hair, her rhinestoned schoolteacher sweaters, and her constrictive girdle that makes her waddle – would want with a thirty-something-year-old desk clerk was not exactly a welcomed thought in my thirteen-year-old brain.

…a thought that was only exacerbated by the phrase Bubbie used to convey her attraction to the young man:

“He can put his shoes under my bed any day!”

Bubbie employs the same phrase in regards to Jon Hamm.

Whenever I phone Bubbie, my curiosity always gets the better of me. I can’t help but ask her what she thought of the most recent episode of Mad Men. And just like that, she goes off on her classic rant.

Firstly, Bubbie is angry at the show for not portraying the 60s how she remembers it, what with the show’s excessive drinking, smoking, and sex in the office. “When I worked in an office, they didn’t do that kind of stuff!”

Furthermore, Bubbie not only treats Jon Hamm as if he truly exists during the 1960s, but as if Jon Hamm is accountable for his character Don Draper’s actions. Whenever Don Draper does something that Bubbie doesn’t approve of (for instance, whenever Don has sex with a woman he’s not married to – an incident that occurs almost every episode and with what seems like a different woman every time), Bubbie is not only upset with but in disbelief that Jon Hamm would do such a thing, as if she’s oblivious to the profession of acting.

That’s when Bubbie whips out yet another one of her famous phrases, this time to express her disappointment with Jon Hamm’s behavior:

“Why, it’s disgusting!”

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Copyright 2012 by G. E. Gallas


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