I had a wonderful time at Yale this past December. I was there as a guest speaker for Wendall K. Harrington’s “Visual Storytelling” course at the School of Drama and also to visit my sister, who’s a grad student there.
I was lucky enough to be able to visit The Yale Center for British Art before it closed for renovations. There, I saw one of my favorite paintings: Henry Wallis’s The Death of Chatterton. I was also able to take advantage of their study room, where I examined original prints of William Blake’s America a Prophecy and Jerusalem.
I had a great time at the Yale University Art Gallery, where I saw John Everett Millais’s beautiful Yes or No? and Hieronymus Bosch’s An Allegory of Intemperance (which I had been hoping to see, since I saw part of the same triptych Death and the Miser at the National Gallery of Art in D.C. last year).
I saw three plays, all of which were amazing — War (by Branden Jacobs-Jenkins, directed by Lileana Blain-Cruz), Chekov’s The Seagull (directed by Jessica Holt), and my favorite The Zero Scenario (by Ryan Campbell, directed by Sara Holdren).
I’m looking forward to visiting Yale again at the end of this January to see my sister’s costumes in Molière’s Don Juan.
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Copyright 2014 by G. E. Gallas